Principal's door from Rockwell's iconic 'Shiner' preserved
"Holy cow!" Butz recalled thinking when he learned that the school intended to discard the door as part of the $11 million rehabilitation. "We should save it."
In 1953, Rockwell drove the short distance from his studio in Arlington, Vermont, to Cambridge, a village among rolling farmland 35 miles northeast of Albany.
Rockwell often used local residents and locales for settings in his work for The Saturday Evening Post. In Cambridge, he found inspiration for his depiction of a schoolgirl awaiting her turn in the principal's office after getting into a fight.
Rockwell took photographs of the principal's office and the door, as well as the principal and his secretary. He even had the door taken off its hinges and brought to his studio. Later at his studio, he photographed models standing in for the principal and secretary.
His studio photo shoots also included Mary Whalen Leonard, then 11, who wound up serving as the model for the feisty, plaid skirt-wearing girl with the post-fight disheveled pigtails.
Rockwell, who later moved to the Berkshires in Massachusetts, was "like a movie director," said Stephanie Plunkett, deputy director and chief curator of the Norman Rockwell Museum in Stockbridge, Massachusetts.
"He would tell his models how he wanted them to pose, what expressions he wanted," she said. "Sometimes, he would even act out the scene."
The resulting artwork for "The Shiner" appeared on the cover of The Saturday Evening Post's May 23, 1953, edition. The original oil painting is part of the collection of the Wadsworth Atheneum Museum in Hartford, Connecticut.
The renovation of the building that now houses the Cambridge elementary and high schools called for reconfiguring elementary principal Colleen Lester's office and replacing the famous door. Butz received approval to preserve the door as part of an exhibit on the school's key role in one of Rockwell's most famous works.
The door has been placed in a glass display case near the school's library since November, accompanied by some of Rockwell's black-and-white reference photos and a framed copy of The Saturday Evening Post cover.
Students think it's "cool" that a piece of local lore with national appeal has been preserved and put on display in their school, Butz said. The door is serving as a teaching tool for art students learning how artists such as Rockwell approach their work, he said.
"There was a whole process" the illustrator used, Butz said. "I never knew he took photos of everything."
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